We could do a gag reel that would last an hour of things that have been up Frank Gallagher’s butt.ĭoes it give you a different sense when you’re directing it? Do you have a whole new view from the outside? The first five seasons, every other show, something was shoved up Frank’s ass. When I read these scripts, I think, “Is this retribution for some note I gave or something?”. I do feel some of the writers don’t like me personally. They could be putting dares in there for you. I said, “It’s not working.” There have other things that I’ve gone to them saying, “Is this funny? Can we amend this a little bit?” But as a point of pride, if they write it, I try to do it. In nine years now, there was one gag that I talked them into dropping. I take pride in acting whatever they give me. When you get a scene where you’ve got to cut off someone’s toes, do you ever question it? Like, “I don’t think Frank would really do that?” they couldn’t believe I was in that thing. They swore it smelled bad, and they were just. What was the most fun or startling moment for you this past season?īut the crew was grossed out. And I think that kind of despair is so poisonous for our society. I can never break out of this.” And I think that kind of despair’s very real. It doesn’t get talked about a lot, but class and poverty play a lot into these decisions.Īll of the characters, when life kicks them down, they’ve always had these speeches of, “Well, who was I kidding myself? I’m poor and I’m supposed to stay poor. And we make light of it, and it’s sanitized a little bit, but the writers have been really good at, every once in a while, reminding you-this is serious shit. And it’s a really interesting family to follow, to see what that’s really like. They’re one paycheck away from homelessness. The Gallaghers live right on the edge of the law, and they have to skirt the law a lot to make it. He’s a consummate con artist, if he wants to be. The thing that came out, that I found remarkable, is that he became a much better liar.
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